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| Date | 2007-05-05 |
| Location |  |
| What site-area(s) drew your interest? | Argerich concert scheudle |
| City/Town if you care to say: | Berkeley |
| Message | Sam, thanks for the info. However, there will likely be disappointment for the people who bought tickets thinking they'd hear these two more unusual concertos from Argerich. I wonder how the trumpet player feels or whether his unavailability was a factor. Must have been fun to meet her during rehearsals. |
| Date | 2007-05-05 |
| Location |  |
| City/Town if you care to say: | Berlin |
| Message | Hallo, The Berliner Philharmoniker Concert (05 & 06 May 2007) with Argerich have some Programme changes. The Prokofiev & Shostakovich Concerts will no longer be played. Argerich will be playing Ravel Piano Concert in G instead. The rest of the programme stays the same. Argerich will be for sure there. Because I met her yesterday (04 May 2007) after the the rehearsal  Hope the information is useful Sam |
| Date | 2007-04-22 |
| What site-area(s) drew your interest? | You did |
| How did you find the site? | Andrys |
| Message | Hi Andyrs, You are missed at the hall. I came to visit your beautiful photos of Italy, I needed inspiration and a mini vacation. Miss you, flori and thanks for positng your talent on the web, I know you are enjoying your retirement. |
| Date | 2007-03-19 |
| Location | |
| What site-area(s) drew your interest? | http://www.andrys.com/argconcs.html |
| Message | Thanks very much, Harry, for the change. I've fixed it on the webpage. - Andrys |
| Date | 2007-03-18 |
| Location | |
| What site-area(s) drew your interest? | Argerich concert schedule |
| How did you find the site? | Yahoo search |
| City/Town if you care to say: | Dallas TX |
| Message | I think there may be a mistake in the concert schedule site. The Avery Fisher Hall as well as the Los Angeles web sites indicate that Ms. Argerich will be playing Prokofiev Piano Concerto #3 at both places. The Schumann concerto is not listed on either program. Hope this helps. |
| Date | 2007-03-06 |
| Location |  |
| What site-area(s) drew your interest? | Music |
| How did you find the site? | searching |
| City/Town if you care to say: | london |
| Message | Great Site! |
| Date | 2007-03-04 |
| Location | |
| City/Town if you care to say: | Berkeley, Calif. |
| Message | Alan, Earlier today I did a user submission of an addition to the Wikipedia article for Hatto. I saw that the Career section said "Her performances were not received with much enthusiasm by the critics" and quoted a couple of lukewarm reviews. Knowing there were also good reviews back then, I added the following: === On the other hand, The Guardian reports (July 10, 2006) that the Guardian's music critic Neville Cardus wrote of her (live, 1954) Paganini Variations that they were "despatched in a seamless riot of ecstatic bravura laced with underlying deep musical feeling rarely countenanced in this work" and The Telegraph reports (July 28, 2006) that "Neville Cardus called her 'a British pianist to challenge the German supremacy in Beethoven and Brahms'; The Daily Telegraph 'the indomitable champion of Liszt.' " === I reported the changes I made. I don't know if it will stay, as they can remove user submissions, but I can't see why it would be removed and are an interesting footnote. This article that will serve as basic net reference is at en.wikipedia.org/wiki/Joyce_Hatto |
| Date | 2007-03-04 |
| Location | |
| City/Town if you care to say: | Berkeley, Calif. |
| Message | Alan, yes, the Bax on the 2 CD editions match her LP and it'd be nice to find others. I have quotes from Neville Cardus (d. 1975) on the page re her playing, to balance what some are saying today. I have sympathy for Barrington-Coupe at this point, but he did bring this about himself, and for all actions there are generally consequences. That's just reality. I agree that some of it is overdone. But all the inquiries would stop quickly, from my read of reactions if he: 1. didn't insist that there was only patching done and that it was still basically JH playing 2. explained, for his wife's reputation's sake, how he managed it so that she didn't know that he was releasing many concertos in her name - there are possible explanations even I can think of but he has not been inclined to help her on this while telling the world she didn't know. 3. let people and recording labels know whose tracks he used so they can get the proper credit. People are interested in finding and even buying recordings by many of these pia Since court proceedings would be a lose-lose for all, those steps would be a positive way to stop the questions. Until then people WILL ask and he will feel hounded. My brother lost his wife in much the same way and, really, one can be at such a loss at such times. But I think my brother would have just ended it with the truth of what happened and how. |
| Date | 2007-03-04 |
| Location |  |
| What site-area(s) drew your interest? | Hatto's widower |
| How did you find the site? | times online |
| City/Town if you care to say: | London |
| Message | Well, what a storm in a teacup. Everyone knows that the pop world is a construct. The Monkeys never played in public because they were fake. Elton John's first album was created virtually entirely by Paul Buckmaster. Indeed, the scottish pop singer.....who went stateside and sang for such things like James Bond films had a doc about her winning some contest and got sent to London to make an album. The agent who saw her first said she had no talent, but the A&R record lable guy said she had what it takes: 1. good looks 2. A good engineer... and as an afterthought he added "oh yes, and it might be good if she could sing." All recordings are doctored. The most famous horn soloist of the past 50 years never recorded anything straight through. He had the reputation of cutting and patching every note almost. Then again, the great Canadian pianist, did the same thing with his recordings. Pity he didn't live to see the digital age. Live music is dead folks! Face it. It's all fake these days! Musicians who are honest and true to the composer and to their craft and art are ignored, overlooked and ridiculed. That is the times we live in. Who am I to say this? Just an international soloist and musician of many years experience inside and out over 3 continents! Thing is, like the fate of planet earth, we are helpless to do anything about it. Besides, who wants to do anything about anything? Nobody with any power to do it, that's who. |
| Date | 2007-03-04 |
| Location | |
| What site-area(s) drew your interest? | Joyce Hatto |
| How did you find the site? | |
| City/Town if you care to say: | London England |
| Message | I can tell you that Joyce Hatto's Bax Symphonic Variations recording with Vernon handley was most certainly genuine. Two days prior to the recording in 1970 a public performance was given. I have no connection with Ms Hatto Mr Barrington-Coupe or Concert Artist/Fidelio, but it would be nice if everyone took the generous view that the MD of BIS has taken. I have little doubt that WB-C DID do what he did for his wife. Nobody can condone it but I am sure the true reason was that he felt his wife had been neglected - which she had been. She made a few records in the 1960s but they appeared on small labels like Saga and Fidelio and didn't get good distribution - the big boys of the British recording industry were very down on such labels. Having lost my own wife to cancer, I can understand why WB-C might have behaved as he did to try to make her last days happy. Who is to say what any of us might do in those circumstances if we had a chance to do so?. As it is, he has lost his wife, her reputation and probably his compoany (there are other real perofrmances on that label - the Bax Symphony 4, for example, recorded in 1965 with Handley long before any other company made an LP recording of a Bax symphony. Hasn't the hounding gone on long enough? |
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